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He needed to stop talking, stop moving, and he was not listening to the warnings Starr’s dad had taught her. Khalil just needed to do what the cop asked.
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At first, I kept thinking that Starr was right. It will take you less than five minutes to read it, but you’ll spend a hell of a lot more than that thinking about that chapter. It is five pages, not unlike the max five seconds it took for the cop to shoot him.
The hate you give chris movie#
(Side Note: I am not going to review the movie or write a compare/contrast, but some of the scenes I discuss are ones that the film added or took out, which I feel are important for understanding the power of this story).Ĭhapter 2 is when Kahlil dies. I am looking at these scenes as a white adult living in 2020 America, but I am also looking at these scenes as a high school English teacher who would love to add this story to her curriculum. It is impossible for me to avoid my white privilege and ignorance, but that is the point. This post is exactly what the title suggests–I will take certain scenes from the book and movie, and then I will analyze, argue, and try to understand them (so it is filled with spoilers). “If you don’t see my blackness, you don’t see me,” Starr tells Chris in one of the superb scenes that reflect the real-life fights of many, from the Parkland survivors to Christine Blasey Ford, to have their voices heard.This post is not a review of the book, for that see “Why Everyone Should Read, Not Just Watch, The Hate U Give”. Starr ultimately decides to be the voice of Khalil but more importantly finds her own. Her response: "It doesn't seem that complicated to me." "We live in a complicated world," he says. “The Hate U Give” isn’t shy about revealing the emotions of everyone involved – even the side of the police comes through in a heated conversation between Starr and her Uncle Carlos (Common), a cop who understands his colleague's perspective as well as his family’s. really immerses an audience in the heartache and hard feelings of loved ones in the aftermath of such a tragedy – and for Starr, it hurts even more since it's her second close friend to die via a bullet. Seeing cable news reports or reading articles about young African-Americans being shot and killed is one thing, but director George Tillman Jr. One fateful night riding home with her childhood friend Khalil (Algee Smith), they’re pulled over and – in a gut punch of a sequence – Starr watches in horror as Khalil reaches inside the car for his hairbrush and is gunned down by a white cop who thinks it was a gun. Apa) and doesn’t feel like she fits in at parties with her Garden Heights friends. Starr never feels quite whole in her code-switching existence: She feels the side eye of mean girls at Williamson while spending time with her white boyfriend Chris (K.J. For school, though, Starr and her siblings go to private Williamson Prep about 40 minutes away in a rich white neighborhood because mom Lisa (Regina Hall) wants her kids to have a good education. Starr Carter (an amazing Amandla Stenberg) is a 16-year-old from the poor, mostly black community of Garden Heights, where her protective dad Maverick (Russell Hornsby) owns the local grocery store. 19) manages to go deeper still into where we are in the world, emphasizing youth activism and making the hard decision to speak out when necessary. However, “The Hate U Give” (★★★½ out of four rated PG-13 in select theaters Friday, including New York, Los Angeles, Atlanta, Miami and Washington expands nationwide Oct. But “The Hate U Give” is one of the rare important teen films that needs to be seen by everybody.īased on Angie Thomas’ 2017 young-adult novel, the profoundly affecting project takes themes of Black Lives Matter, police brutality and black identity and puts them in the thought-provoking story of an African-American girl stuck between cultures. Watch Video: Stand up for what's right in 'The Hate U Give'įall is a time for those “important” movies – biopics, Oscar contenders, Lady Gaga/Bradley Cooper superstar vehicles – and teen-oriented fare doesn't normally break into that hallowed time.